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	<title>D's Bones &#187; war</title>
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	<description>New and selected poetry of David Stallings</description>
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		<title>09/11/2009 (81)</title>
		<link>http://www.dsbones.com/2009/09112009-81</link>
		<comments>http://www.dsbones.com/2009/09112009-81#comments</comments>
		<pubDate>Fri, 25 Sep 2009 16:42:29 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Cold Mountain Project]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=121</guid>
		<description><![CDATA[Eight years pass— same 7:05 AM Seattle ferry commute, same newscast ear pods— and names toll from Ground Zero. From sunny waterfront I stroll to work, have no urgent exchanges with passersby. But never distant, strangers clasp hands, leap into &#8230; <a href="http://www.dsbones.com/2009/09112009-81">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Eight years pass—<br />
same 7:05 AM Seattle ferry commute,<br />
same newscast ear pods—<br />
and names toll from Ground Zero.<br />
From sunny waterfront<br />
I stroll to work,<br />
have no urgent exchanges<br />
with passersby.<br />
But never distant,<br />
strangers clasp hands,<br />
leap<br />
into bloody mists.</p>
<p>(No. 81 in a series of responses to Han-shan’s <em>Songs of Cold Mountain</em>)</p>
<p><span id="more-121"></span></p>
<p>I was walking to work on a nice morning, absorbed by antics of the North African cab drivers who hang out in front of the Seattle ferry terminal, and vaguely listening to NPR&#8211;just your usual urban Buddhist multitasking.  Then the toll of names started, and the whole situation re-exploded in my mind.</p>
<p>What emerged is this poem&#8217;s three-part muse on: &#8220;things are the same, but not really;&#8221;  &#8220;we forget;&#8221; and then, the pink-foamed horror of unforgettable images and recollections.  It had never occurred to me that atomized human blood can  form a ground fog 100 feet high.</p>
<p>Where does all this leave us?   As a middle school teacher who read this poem observed, &#8220;Most of my current students don&#8217;t have any recollection of 9/11.&#8221;  And then, my old pal, Han-shan, says things like, &#8220;Following tales of the Immortals won&#8217;t save you.  We all die, even emperors.&#8221;  But even he might agree that moment by moment we &#8220;tangle eyebrows&#8221; with those who came long before us.</p>
<p>So yes, they&#8217;re still jumping.  And us along with them.</p>
<p>(Numeric reference to Han-shan’s poem reflects the order of presentation in Burton Watson’s translation, presented as <em>Cold Mountain</em>, Columbia University Press, 1970.)</p>
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		</item>
		<item>
		<title>Final Acts (62)</title>
		<link>http://www.dsbones.com/2005/final-acts</link>
		<comments>http://www.dsbones.com/2005/final-acts#comments</comments>
		<pubDate>Thu, 17 Feb 2005 23:55:58 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Cold Mountain Project]]></category>
		<category><![CDATA[colorado]]></category>
		<category><![CDATA[lessons]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/2005/final-acts/</guid>
		<description><![CDATA[Reflections on a subtitled movie seen in Boulder, 1963 Defeated Japanese soldiers, abandoned on a small Pacific Island, argued over what to do, how to find food. They fought, killed, eventually ate each other. The last one carried his ragged &#8230; <a href="http://www.dsbones.com/2005/final-acts">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><em>Reflections on a subtitled movie seen<br />
in Boulder, 1963</em></p>
<p>Defeated Japanese soldiers,<br />
abandoned on a small Pacific Island,<br />
argued over what to do,<br />
how to find food.  They fought,<br />
killed, eventually ate<br />
each other.</p>
<p>The last one<br />
carried his ragged<br />
childhood doll, like those laced<br />
to kamikaze pilots.  He stumbled<br />
to a western bluff where a black<br />
and white sunset oiled calm water.<br />
Sitting on a broad rock, he crossed his legs<br />
in a lotus position.  His torn face filled<br />
the screen, his gaze turned<br />
upon some other<br />
shore.</p>
<p>Each time I sit,<br />
crossing my legs,<br />
I practice<br />
the same ending,<br />
open<br />
to the same<br />
setting<br />
sun.</p>
<p>(No. 62 in a series of responses to Han-shan’s <em>Songs of Cold Mountain</em>)</p>
<p><span id="more-55"></span><br />
This old Japanese &#8220;art film&#8221; (as they used to be called) has metastasized in my mind.  It has never left me.  I didn&#8217;t understand meditation at the time.  It seemed alien, useless, foreign.  Live and let learn.</p>
<p>(Numeric reference to Han-shan&#8217;s poem reflects the order of presentation in Burton Watson&#8217;s translation, presented as Cold Mountain, Columbia University Press, 1970.)</p>
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		</item>
		<item>
		<title>Security</title>
		<link>http://www.dsbones.com/2003/security</link>
		<comments>http://www.dsbones.com/2003/security#comments</comments>
		<pubDate>Tue, 15 Apr 2003 00:33:21 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[2003 poems]]></category>
		<category><![CDATA[commuting]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[war]]></category>

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		<description><![CDATA[Sharply dressed State Patrol people encourage us ferry riders to relax. Mothers in airports are asked to taste their bottled breast milk, while web sites award prizes to the most stupid of these measures. In Iraq a new orphan, both &#8230; <a href="http://www.dsbones.com/2003/security">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Sharply dressed<br />
State Patrol people<br />
encourage us ferry riders to relax.<br />
Mothers in airports are asked to taste<br />
their bottled breast milk,<br />
while web sites award prizes<br />
to the most stupid of these measures.</p>
<p>In Iraq a new orphan,<br />
both arms blown off,<br />
knows life will never be<br />
the same.</p>
<p><span id="more-20"></span><br />
What a world.</p>
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		<item>
		<title>Inexpiable</title>
		<link>http://www.dsbones.com/2003/inexpiable</link>
		<comments>http://www.dsbones.com/2003/inexpiable#comments</comments>
		<pubDate>Tue, 25 Mar 2003 15:52:54 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[tennessee]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/2003/inexpiable/</guid>
		<description><![CDATA[U.S. Plans Lightning Strikes; Terrorism Alert Raised to ‘High.’ Our weekly compassionate listening circle takes in this small room, where I lie next to a young German man, holding his hand. He sobs and chatters through Holocaust guilt, his father&#8217;s &#8230; <a href="http://www.dsbones.com/2003/inexpiable">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><em>U.S. Plans Lightning Strikes;<br />
Terrorism Alert Raised to ‘High.’</em></p>
<p>Our weekly<br />
compassionate listening circle<br />
takes in this small room,<br />
where I lie next<br />
to a young German man,<br />
holding his hand.<br />
He sobs and chatters<br />
through Holocaust guilt,<br />
his father&#8217;s silence,<br />
and the sense that his people<br />
are flawed, cracked.<br />
He believes that evil<br />
may emerge at any time,<br />
sucking him into<br />
a violent darkness.</p>
<p>A son of the American South,<br />
I listen.</p>
<p><span id="more-19"></span><br />
This is a reposting, after I contacted the young man mentioned in the poem, now back in Germany.  I was concerned about confidentiality, but he assures me there is no problem.</p>
<p>Days into this awful war in Iraq, replete with the imagery of war horror, it is clearer than ever that war wounds last for generations.</p>
]]></content:encoded>
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		<item>
		<title>Frames of Horror</title>
		<link>http://www.dsbones.com/2003/frames-of-horror</link>
		<comments>http://www.dsbones.com/2003/frames-of-horror#comments</comments>
		<pubDate>Wed, 19 Mar 2003 20:27:50 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/2003/frames-of-horror/</guid>
		<description><![CDATA[The camera angle clarifies. The Gaza landscape is open. There are only these things: a young woman wearing a bright orange jacket, her bullhorn, the protected Israeli soldier-operator of the huge US-supplied bulldozer, And fear. Down with the demonstrator! Down &#8230; <a href="http://www.dsbones.com/2003/frames-of-horror">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The camera angle clarifies.<br />
The Gaza landscape is open.<br />
There are only these things:<br />
a young woman wearing<br />
a bright orange jacket,<br />
her bullhorn,<br />
the protected Israeli soldier-operator<br />
of the huge US-supplied bulldozer,<br />
And fear.</p>
<p>Down with the demonstrator!<br />
Down with the house!<br />
Down with life!</p>
<p>Down.</p>
<p><span id="more-18"></span><br />
My daughter advised not looking at the photos snapped during the &#8220;accidental&#8221; death of Rachel Corrie, the young woman from Olympia who was protesting Israeli destruction of a Palestinian home.  Of course, I did look at the photos and was horrified and fascinated by the beauty of Gaza, the simple plainess of a death.  Why do people stand in front of tanks and bulldozers, often paying the price of life?  I bow to that quality in humanity.</p>
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		<item>
		<title>Community Peace Portrait</title>
		<link>http://www.dsbones.com/2003/community-peace-portrait</link>
		<comments>http://www.dsbones.com/2003/community-peace-portrait#comments</comments>
		<pubDate>Sat, 08 Feb 2003 20:33:15 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[2003 poems]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[island]]></category>
		<category><![CDATA[war]]></category>

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		<description><![CDATA[February 2, 2003 Today, seven astronauts exploded high in the sky. Seven skiers perished under Canadian snows. Thirty-three shoppers burned in a Chinese mall. While our nation prepared to shock and awe the people of the Middle East. All of &#8230; <a href="http://www.dsbones.com/2003/community-peace-portrait">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><em>February 2, 2003</em></p>
<p>Today, seven astronauts exploded high in the sky.<br />
Seven skiers perished under Canadian snows.<br />
Thirty-three shoppers burned in a Chinese mall.<br />
While our nation prepared to shock<br />
and awe the people of the Middle East.<br />
All of this makes it difficult<br />
to smile for the camera.<br />
This is not a problem for the children,<br />
riding high on parents’ shoulders.</p>
<p><span id="more-13"></span><br />
On 2/2/03, about 1500 people in my community of Bainbridge Island joined a rising wave of local communities who are assembling for &#8220;peace portraits&#8221;.   Old hippies and Republican housewives aplenty&#8211;all convinced that our country is preparing to badly screw its karma.</p>
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