My frayed black leather Day-Timer,
standard size, used to be
the Cadillac of business calendars.
Now, placed in front of me
on meeting tables, it’s surrounded by
colleagues’ sleek, intelligent devices—
purring and synched to company
calendars, email, Twitter, and GPS coordinates.
The pages of my archived monthly inserts
turn like dry leaves, their veins and spots
evidence that I had appointments,
kept notes, squeezed in a few poems,
came to love this work
and its people.

(No. 67 in a series of responses to Han-shan’s Songs of Cold Mountain)
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