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	<title>D's Bones &#187; nature</title>
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	<link>http://www.dsbones.com</link>
	<description>New and selected poetry of David Stallings</description>
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		<title>Frontier</title>
		<link>http://www.dsbones.com/2010/frontier</link>
		<comments>http://www.dsbones.com/2010/frontier#comments</comments>
		<pubDate>Wed, 13 Oct 2010 19:30:40 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[2010 poems]]></category>
		<category><![CDATA[Resurrection Series]]></category>
		<category><![CDATA[Alaska]]></category>
		<category><![CDATA[childhood]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[lessons]]></category>
		<category><![CDATA[mother]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[stepfather]]></category>
		<category><![CDATA[youth]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=136</guid>
		<description><![CDATA[“Eight stars of gold on a field of blue— Alaska&#8217;s flag. May it mean to you…” from the Official State Song of Alaska After my stepfather’s sporting goods store went bust in ‘55, my mother’s school teacher salary barely supported &#8230; <a href="http://www.dsbones.com/2010/frontier">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>“Eight stars of gold on a field of blue—<br />
Alaska&#8217;s flag. May it mean to you…”<br />
<em>from the Official State Song of Alaska</em></p>
<p>After my stepfather’s sporting goods<br />
store went bust in ‘55, my mother’s<br />
school teacher salary barely supported us.<br />
Dick finally found a bookkeeper job<br />
at the territorial TB sanitarium,<br />
north of Seward.<br />
We moved from our trailer and shed<br />
into a cramped staff apartment—<br />
the arguments and shouting<br />
never stopped.</p>
<p>My room was a closet<br />
with a door<br />
I’d close at night.<br />
Radio to ear,<br />
I’d listen<br />
to Frankie Laine, Teresa Brewer, The Platters,<br />
until the town’s only station<br />
signed off before midnight<br />
with a choral rendition<br />
of the territorial song—<br />
<em> “The blue of the sea, the evening sky,<br />
The mountain lakes, and the flow&#8217;rs nearby—“</em></p>
<p>I’d sing along, fly<br />
amid delta clouds<br />
of widgeons and pintails,<br />
climb high ridges<br />
to whistle with marmots,<br />
nod off in fields of glacier lilies<br />
lupine, paintbrush.</p>
<p><span id="more-136"></span>I journeyed back to Seward a few years ago, hiked down Fourth Avenue to the Alaska Shop, bought the souvenir mug I use daily&#8211;deep blue, Big Dipper and Polaris pointing true.</p>
<p>To that young man lying in the closet, I can only say, life got a whole lot better&#8211;but it took awhile.  Hang on, keep moving with the Arctic terns.</p>
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		<item>
		<title>Economics</title>
		<link>http://www.dsbones.com/2010/economics</link>
		<comments>http://www.dsbones.com/2010/economics#comments</comments>
		<pubDate>Sun, 10 Oct 2010 21:34:39 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[2010 poems]]></category>
		<category><![CDATA[birds]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[friends]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[seattle]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=135</guid>
		<description><![CDATA[Eyes worried, my former co-worker stands outside the county building. He bemoans the budget, continued layoffs, disappearances of old friends. Fluffy flakes begin to fall. I lean to catch one on my tongue, stop short— they are down feathers. We &#8230; <a href="http://www.dsbones.com/2010/economics">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Eyes worried, my former co-worker<br />
stands outside</p>
<p>the county building.<br />
He bemoans the budget, continued</p>
<p>layoffs, disappearances<br />
of old friends.</p>
<p>Fluffy flakes begin to fall.<br />
I lean to catch one</p>
<p>on my tongue, stop short—<br />
they are down feathers.</p>
<p>We glance up,<br />
spot a peregrine falcon</p>
<p>on a low tree branch.<br />
The raptor clutches</p>
<p>a pigeon in its left talon, rips<br />
flesh with hooked beak.</p>
<p>There are young to fledge<br />
on a tower cornice.</p>
<p><span id="more-135"></span>Well, as they say, it&#8217;s a jungle out there.</p>
<p>Or, liberally extending M.L. King&#8217;s famous comment, &#8220;We may have all come on different ships, but we&#8217;re in the same boat now.&#8221;</p>
<p>This, despite underlying patterns that may save our bacons for awhile.  For example, urban peregrines strike more pigeons with black rumps than white.</p>
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		<title>Cornus Sericea</title>
		<link>http://www.dsbones.com/2010/cornus-sericea</link>
		<comments>http://www.dsbones.com/2010/cornus-sericea#comments</comments>
		<pubDate>Mon, 31 May 2010 21:23:22 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[2010 poems]]></category>
		<category><![CDATA[home]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[plants]]></category>
		<category><![CDATA[relationships]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=130</guid>
		<description><![CDATA[Living with your exuberance near the southwest corner of my small porch calls for ongoing negotiation, understanding of boundaries— a task made difficult by your beauty. Even now, in late winter, you are irresistible. Your naked limbs, titian and sensual, &#8230; <a href="http://www.dsbones.com/2010/cornus-sericea">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Living with your exuberance<br />
near the southwest corner<br />
of my small porch<br />
calls for ongoing negotiation,<br />
understanding of boundaries—<br />
a task made difficult by your beauty.<br />
Even now, in late winter, you are irresistible.<br />
Your naked limbs, titian and sensual, hold flocks<br />
of wandering Black-capped Chickadees<br />
and Ruby-crowned Kinglets.  You must know<br />
I can’t resist, though your medusa<br />
ringlets curl my railings,<br />
push away competitors.<br />
As usual, it would be easier if I spoke up<br />
earlier.  Eventually I must stand<br />
my ground,  reclaim my space.</p>
<p>But for tonight, maybe I’ll just<br />
cut one lovely stem<br />
to cheer my dinner table.</p>
<p><span id="more-130"></span></p>
<p>________________________________</p>
<p>This red-osier dogwood is really something special.</p>
<p>I&#8217;m trying to write my way to healthiness in relationship with her, but may be in need of some green man, neo-paganism counseling.</p>
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		<title>Shortcut (48)</title>
		<link>http://www.dsbones.com/2009/shortcut-48</link>
		<comments>http://www.dsbones.com/2009/shortcut-48#comments</comments>
		<pubDate>Mon, 19 Oct 2009 19:06:11 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Cold Mountain Project]]></category>
		<category><![CDATA[coast]]></category>
		<category><![CDATA[lessons]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[ocean]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=124</guid>
		<description><![CDATA[My wife and I pack our open canoe after five nights of camping, head back to Lund in a rising wind. We dodge whirlpools, ferry across currents, break out of eddies. Far ahead through white caps and heavy swell, is &#8230; <a href="http://www.dsbones.com/2009/shortcut-48">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>My wife and I pack our open canoe<br />
after five nights of camping, head back<br />
to Lund in a rising wind.<br />
We dodge whirlpools, ferry across<br />
currents, break out of eddies.  Far ahead<br />
through white caps and heavy swell,<br />
is the rocky point<br />
we must round.<br />
Portage Gap is closer, offers an easy land haul<br />
to a quiet inner bay.<br />
We’ve heard the owner of this old homestead<br />
is testy, cusses canoeists and kayakers.<br />
We pull ashore, I walk to his cottage, knock.<br />
Through a window I see<br />
an empty bottle of Jim Beam<br />
lying on a table.<br />
A bleary figure stalks<br />
from the back room, cracks the door.<br />
He silently listens to my request,<br />
nods his head with effort:<br />
<em>Quietly, quietly.</em></p>
<p><em>Desolation Sound, British Columbia, 1978</em></p>
<p>(No. 48 in a series of responses to Han-shan’s <em>Songs of Cold Mountain</em>)</p>
<p><span id="more-124"></span></p>
<p>Sometimes the context in which you must ask, &#8220;What way from here?&#8221; moves fast, may sometimes entail choosing among competing dangers or unknowns.  You just act.  And there is life, right in that moment.  When everyday time resumes, that moment may be followed by a big smile, the shakes, or just a heartfelt, &#8220;Thanks!&#8221;</p>
<p>(Numeric reference to Han-shan’s poem reflects the order of presentation in Burton Watson’s translation, presented as <em>Cold Mountain</em>, Columbia University Press, 1970.)</p>
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		<title>Balm (69)</title>
		<link>http://www.dsbones.com/2009/balm</link>
		<comments>http://www.dsbones.com/2009/balm#comments</comments>
		<pubDate>Sat, 10 Oct 2009 04:25:17 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Cold Mountain Project]]></category>
		<category><![CDATA[buddhism]]></category>
		<category><![CDATA[friends]]></category>
		<category><![CDATA[hiking]]></category>
		<category><![CDATA[mountains]]></category>
		<category><![CDATA[nature]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=123</guid>
		<description><![CDATA[The sealed jar of artesian water near Kwan Yin’s right hand has rested on my altar for nine years—since Dane and I were whited-out south of Marmot Pass. We traversed a wrong ghostly spur. It was late, an uncomfortable bivouac &#8230; <a href="http://www.dsbones.com/2009/balm">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The sealed jar of artesian water<br />
near Kwan Yin’s right hand<br />
has rested on my altar for nine<br />
years—since Dane and I were whited-out<br />
south of Marmot Pass. We traversed<br />
a wrong ghostly spur.<br />
It was late, an uncomfortable<br />
bivouac likely.<br />
A quick compass reading<br />
through opening fog<br />
pointed to a trail trace<br />
far below.<br />
We came to the spring we call<br />
<em>The Source</em>, drank deeply, filled bottles,<br />
walked to the truck by flashlight.<br />
Five long miles<br />
in dark rain.</p>
<p>Big Quil watershed, Olympic Mountains, October, 2000</p>
<p>(No. 69 in a series of responses to Han-shan’s <em>Songs of Cold Mountain</em>)</p>
<p><span id="more-123"></span></p>
<p>There is no better water on the planet than that which flows so purely from <em>The Source</em>, located near Camp Mystery, just below Marmot Pass, in the northeast Olympics.  A poet friend, who knows the area well, calls this little spring <em>The Mother of All Waters</em>.</p>
<p>The day started clear and warm.  We ate a late lunch, took a long nap, woke in heavy fog.  We could not find our way down the ridge, simple as it seemed.  After drifting way off course, and finally realizing it, Dane and I spotted, hundreds of feet below, a trail segment through a brief opening in the fog.  We took a quick compass reading and, in last light, eventually emerged from a steep, wooded hillside precisely at <em>The Source</em>.</p>
<p>The focused attention, relief, exhilaration and deep appreciation of this experience are with me to this day.  Kwan Yin (Sanskrit: <em>Avalokiteshvara</em>&#8211; &#8220;She who hears the cries of the world&#8221;) was listening.  Isn&#8217;t she always?</p>
<p>Or, as Han-shan says, <em>There it is, in the midst of Nothing!</em></p>
<p>(Numeric reference to Han-shan’s poem reflects the order of presentation in Burton Watson’s translation, presented as <em>Cold Mountain</em>, Columbia University Press, 1970.)</p>
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		<title>Erotism</title>
		<link>http://www.dsbones.com/2009/erotism</link>
		<comments>http://www.dsbones.com/2009/erotism#comments</comments>
		<pubDate>Thu, 01 Oct 2009 19:25:45 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[2009 poems]]></category>
		<category><![CDATA[coast]]></category>
		<category><![CDATA[friends]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[sailing]]></category>
		<category><![CDATA[sex]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=122</guid>
		<description><![CDATA[The plumose anemone is a sensual invertebrate, lovely and pink. It can reproduce on its own but seems to most enjoy releasing eggs or sperm from its mouth. With my new sweety and her sailing friends, we come across a &#8230; <a href="http://www.dsbones.com/2009/erotism">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The plumose anemone is a sensual<br />
invertebrate, lovely and pink.<br />
It can reproduce on its own<br />
but seems to most enjoy releasing eggs<br />
or sperm from its mouth.<br />
With my new sweety and her sailing friends,<br />
we come across a bordello<br />
of <em>Metridium</em> cached under a rock<br />
during minus tide.  Trumpet flares<br />
retracted, shafts detumescent, they hang<br />
like bull balls.  In the presence<br />
of such raw sexuality, the four of us<br />
grow closer, more honest.<br />
We stroke the sacs gently,<br />
and the world sways.</p>
<p><em>Sucia, San Juan Islands, Washington</em></p>
<p><span id="more-122"></span></p>
<p>Viewing the natural world through a sexual lens is horny, humbling, unifying.  I&#8217;ve spent trips to the Southwest pursuing the Ultimate Yoni at the distant head of a desert stream, and had tantrically satisfying sexual experiences surrounded by fornicating frogs.  I hope you have, also.</p>
<p>Sometimes the experience catches me off guard, as it did on the occasion reported here.  Then, it has the power to cut through to the chthonic, and we stand revealed in our animal nature.</p>
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		<title>Before Going to the Office (39)</title>
		<link>http://www.dsbones.com/2009/before-going-to-the-office-39</link>
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		<pubDate>Sun, 22 Feb 2009 20:08:29 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Cold Mountain Project]]></category>
		<category><![CDATA[birds]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[self]]></category>
		<category><![CDATA[zen]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=117</guid>
		<description><![CDATA[Thousands of snow geese shade early morning moon under a cold sky. Frozen levee grasses soak my city shoes. Overhead, a bare branch— I glance up, gaze into great horned owl eyes. Eventually, we blink. Port Susan Bay, Mouth of &#8230; <a href="http://www.dsbones.com/2009/before-going-to-the-office-39">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Thousands of snow geese<br />
shade early morning moon<br />
under a cold sky.<br />
Frozen levee grasses<br />
soak my city shoes.<br />
Overhead, a bare branch—<br />
I glance up,<br />
gaze into great horned<br />
owl eyes.</p>
<p>Eventually,<br />
we blink.</p>
<p><em>Port Susan Bay, Mouth of the Stillaguamish</em></p>
<p>(No. 39 in a series of responses to Han-shan’s <em>Songs of Cold Mountain</em>)</p>
<p><span id="more-117"></span></p>
<p>Occasionally I join some birder friends from work for an early morning outing.  We&#8217;re fortunate to live in an area where this is easily done.  On this day we visited land newly managed by the Nature Conservancy at the mouth of the Stillaguamish River&#8211;one of many local rivers in what Robert Sund called &#8220;Ish River Country&#8221;.</p>
<p>Call the encounter with that Great Horned an epiphany, a kensho experience, or another word with which you&#8217;re comfortable.  Such moments are gifts, and we are never quite the same afterward.</p>
<p>(Numeric reference to Han-shan’s poem reflects the order of presentation in Burton Watson’s translation, presented as <em>Cold Mountain</em>, Columbia University Press, 1970.)</p>
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		<title>Scott’s Creek Camp, August 8 (38)</title>
		<link>http://www.dsbones.com/2009/scott%e2%80%99s-creek-camp-august-8-38</link>
		<comments>http://www.dsbones.com/2009/scott%e2%80%99s-creek-camp-august-8-38#comments</comments>
		<pubDate>Sun, 08 Feb 2009 02:15:58 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Cold Mountain Project]]></category>
		<category><![CDATA[buddhism]]></category>
		<category><![CDATA[coast]]></category>
		<category><![CDATA[hiking]]></category>
		<category><![CDATA[lessons]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[mountains]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[ocean]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[zen]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=114</guid>
		<description><![CDATA[I’ve searched backcountry ridges, studied tides along rainy shores, consumed two sets of black cushions sitting zazen. Still, only glimpses of Cold Mountain, unless this is it—here, on this spruce-edged beach along a tannin creek, with this dark woman and &#8230; <a href="http://www.dsbones.com/2009/scott%e2%80%99s-creek-camp-august-8-38">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I’ve searched backcountry ridges,<br />
studied tides along rainy shores,<br />
consumed two sets of black cushions<br />
sitting zazen.<br />
Still, only glimpses<br />
of Cold Mountain, unless<br />
this is it—here,<br />
on this spruce-edged beach<br />
along a tannin creek,<br />
with this dark woman<br />
and her two kids.</p>
<p><em>Olympic Wilderness Coast, 2002</em></p>
<p>(No. 38 in a series of responses to Han-shan’s <em>Songs of Cold Mountain</em>)</p>
<p><span id="more-114"></span></p>
<p>As Gary Snyder once observed, &#8220;when Han-shan talks about Cold Mountain, he means himself, his home, his state of mind.&#8221;  Or, as Han-shan himself put it (in Red Pine&#8217;s translation of No. 82):</p>
<p><em>People ask the way to Cold Mountain<br />
but roads don&#8217;t reach Cold Mountain<br />
in summer the ice doesn&#8217;t melt<br />
and the morning fog is too dense<br />
how did someone like me arrive<br />
our minds are not the same<br />
if they were the same<br />
you would be here<br />
</em></p>
<p>Snyder renders those last two lines as:</p>
<p><em>If your heart was like mine<br />
You&#8217;d get it and be right here.</em></p>
<p>Right where, did he say?</p>
<p>Numeric reference to Han-shan’s poem reflects the order of presentation in Burton Watson’s translation, presented as <em>Cold Mountain</em>, Columbia University Press, 1970.)</p>
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		<title>Retreat (82)</title>
		<link>http://www.dsbones.com/2008/retreat</link>
		<comments>http://www.dsbones.com/2008/retreat#comments</comments>
		<pubDate>Fri, 09 May 2008 16:04:06 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Cold Mountain Project]]></category>
		<category><![CDATA[buddhism]]></category>
		<category><![CDATA[hiking]]></category>
		<category><![CDATA[mountains]]></category>
		<category><![CDATA[nature]]></category>

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		<description><![CDATA[We plunge down steep slopes of Mt. Ellinor through paintbrush and fields of late larkspur in fog. The weather is unexpected— wind and drizzle chill, weaken us. Muffled voices of Labor Day hikers swirl in mists. A girl cries to &#8230; <a href="http://www.dsbones.com/2008/retreat">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>We plunge down steep slopes of Mt. Ellinor<br />
through paintbrush and fields<br />
of late larkspur in fog.<br />
The weather is unexpected—<br />
wind and drizzle chill, weaken us.<br />
Muffled voices of Labor Day hikers swirl in mists.<br />
A girl cries to her mother<br />
<em>I can’t climb any more!</em><br />
Below the next ridge, a panicked woman<br />
with infant child stumbles,<br />
sobs to her husband.<br />
It grows darker,<br />
rain almost snow.</p>
<p>The mountain itself—<br />
unchanging.</p>
<p>(No. 82 in a series of responses to Han-shan’s <em>Songs of Cold Mountain</em>)</p>
<p><span id="more-108"></span></p>
<p>Mt. Ellinor is in the southeastern Olympic Mountains, another favorite of us locals. It&#8217;s a steep climb, but there&#8217;s an improved trail to the top which makes it accessible. On this holiday a dramatic shift in weather occurred, catching many visitors ill-prepared.</p>
<p>Cold Mountain No. 82 (Burton Watson translation) is one of the most familiar of Han-shan&#8217;s poems:</p>
<p>People ask the way to Cold Mountain.<br />
Cold Mountain? There is no road that goes through.<br />
Even in summer the ice doesn&#8217;t melt;<br />
Though the sun comes out, the fog is blinding.<br />
How can you hope to get there by aping me?<br />
Your heart and mine are not alike.<br />
If your heart were the same as mine,<br />
Then you could journey to the very center!</p>
<p>More than almost any of Han-shan&#8217;s poems, this one should probably be approached as a koan, a sort of Zen teaching story that typically puts you between a rock and a hard spot, a box canyon with no way out.  So a Zen teacher might demand, &#8220;Show me Cold Mountain!&#8221; As ever, it is right beneath your feet&#8211;even as you get the hell off Mt. Ellinor while the getting is good!</p>
<p>(Numeric reference to Han-shan’s poem reflects the order of presentation in Burton Watson’s translation, presented as <em>Cold Mountain</em>, Columbia University Press, 1970.)</p>
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		<title>Cure</title>
		<link>http://www.dsbones.com/2008/cure</link>
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		<pubDate>Fri, 18 Apr 2008 21:54:06 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[2008 poems]]></category>
		<category><![CDATA[ariel]]></category>
		<category><![CDATA[birds]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/2008/cure</guid>
		<description><![CDATA[I click the latest international news documenting my daughter’s public recovery from Internet obsession— il Repubblica, NYT, Today Show:      “52 Nights Unplugged!”      “A Secular Sabbath!” Blogs aflame, the Zeitgeist twitters, senses an addictive flaw— and need for new &#8230; <a href="http://www.dsbones.com/2008/cure">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I click the latest international news<br />
documenting my daughter’s public recovery<br />
from Internet obsession—<br />
<em>il Repubblica, NYT, Today Show</em>:<br />
     “52 Nights Unplugged!”<br />
     “A Secular Sabbath!”<br />
Blogs aflame, the Zeitgeist twitters, senses<br />
an addictive flaw—<br />
and need for new web sites<br />
to explore the malady.</p>
<p>Outside my window<br />
a varied thrush, dressed<br />
for upland migration,<br />
beckons. I step onto the porch,<br />
hear a spotted towhee as it shuffles the ground;<br />
note movement in the red stem dogwood—<br />
someone with white eye streak, but not<br />
a nuthatch. Now a strange<br />
warbling from those cedars—<br />
a traveler, not yet<br />
revealed.</p>
<p><span id="more-107"></span></p>
<p>I have learned many things in varied realms from my daughter.  Of course, she serves as my tech advisor and is the webmistress of this blog.  She is, by some reckonings, a &#8220;cultural creative/early adapter.&#8221;  If the Zeitgeist has waves, Ariel somehow manages to surf the big forward curl.  I&#8217;d long noticed and forgiven her tendency to plug into Internet ethers several times each hour.  After all, it could be very useful (see <em>Reality Check</em> under 2007 archives).  But I wasn&#8217;t surprised when she decided the time had come to sign off a night a week.  Instantly the press picked up on this (she&#8217;s well connected to media), and once again she landed precisely in the cultural pocket.  </p>
<p>I was, myself, clicking away, mind off in virtual gabfests,  when the above mentioned thrush said <em>Hey!</em></p>
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