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	<title>D's Bones &#187; history</title>
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	<description>New and selected poetry of David Stallings</description>
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		<title>09/11/2009 (81)</title>
		<link>http://www.dsbones.com/2009/09112009-81</link>
		<comments>http://www.dsbones.com/2009/09112009-81#comments</comments>
		<pubDate>Fri, 25 Sep 2009 16:42:29 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Cold Mountain Project]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/?p=121</guid>
		<description><![CDATA[Eight years pass— same 7:05 AM Seattle ferry commute, same newscast ear pods— and names toll from Ground Zero. From sunny waterfront I stroll to work, have no urgent exchanges with passersby. But never distant, strangers clasp hands, leap into &#8230; <a href="http://www.dsbones.com/2009/09112009-81">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Eight years pass—<br />
same 7:05 AM Seattle ferry commute,<br />
same newscast ear pods—<br />
and names toll from Ground Zero.<br />
From sunny waterfront<br />
I stroll to work,<br />
have no urgent exchanges<br />
with passersby.<br />
But never distant,<br />
strangers clasp hands,<br />
leap<br />
into bloody mists.</p>
<p>(No. 81 in a series of responses to Han-shan’s <em>Songs of Cold Mountain</em>)</p>
<p><span id="more-121"></span></p>
<p>I was walking to work on a nice morning, absorbed by antics of the North African cab drivers who hang out in front of the Seattle ferry terminal, and vaguely listening to NPR&#8211;just your usual urban Buddhist multitasking.  Then the toll of names started, and the whole situation re-exploded in my mind.</p>
<p>What emerged is this poem&#8217;s three-part muse on: &#8220;things are the same, but not really;&#8221;  &#8220;we forget;&#8221; and then, the pink-foamed horror of unforgettable images and recollections.  It had never occurred to me that atomized human blood can  form a ground fog 100 feet high.</p>
<p>Where does all this leave us?   As a middle school teacher who read this poem observed, &#8220;Most of my current students don&#8217;t have any recollection of 9/11.&#8221;  And then, my old pal, Han-shan, says things like, &#8220;Following tales of the Immortals won&#8217;t save you.  We all die, even emperors.&#8221;  But even he might agree that moment by moment we &#8220;tangle eyebrows&#8221; with those who came long before us.</p>
<p>So yes, they&#8217;re still jumping.  And us along with them.</p>
<p>(Numeric reference to Han-shan’s poem reflects the order of presentation in Burton Watson’s translation, presented as <em>Cold Mountain</em>, Columbia University Press, 1970.)</p>
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		<title>Occupancy (87)</title>
		<link>http://www.dsbones.com/2005/occupancy</link>
		<comments>http://www.dsbones.com/2005/occupancy#comments</comments>
		<pubDate>Thu, 12 May 2005 15:36:15 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Cold Mountain Project]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[utah]]></category>

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		<description><![CDATA[Anasazi watchtower, cylinder of stone atop mesa remnant. Green River meanders far below. Near the river, sagging log cabin, pioneer way-station for TB patients boated to sanatorium near Moab. Overhead, jet contrails in translucent sky, hundreds of people bound for &#8230; <a href="http://www.dsbones.com/2005/occupancy">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Anasazi watchtower,<br />
cylinder of stone<br />
atop mesa remnant.<br />
Green River meanders<br />
far below.  Near the<br />
river, sagging log cabin,<br />
pioneer way-station<br />
for TB patients boated<br />
to sanatorium near Moab.<br />
Overhead, jet<br />
contrails in translucent<br />
sky, hundreds of people bound<br />
for places<br />
unseen.</p>
<p>(No. 87 in a series of responses to Han-shan&#8217;s <em>Songs of Cold Mountain</em>)</p>
<p><span id="more-58"></span><br />
Many layers of time may be found in the canyonlands.  This moment was experienced during a recent visit to Canyonlands National Park (via the White Rim Road).</p>
<p>(Numeric reference to Han-shan&#8217;s poem reflects the order of presentation in Burton Watson&#8217;s translation, presented as Cold Mountain, Columbia University Press, 1970.)</p>
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		<item>
		<title>Inexpiable</title>
		<link>http://www.dsbones.com/2003/inexpiable</link>
		<comments>http://www.dsbones.com/2003/inexpiable#comments</comments>
		<pubDate>Tue, 25 Mar 2003 15:52:54 +0000</pubDate>
		<dc:creator>David Stallings</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[tennessee]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://www.dsbones.com/2003/inexpiable/</guid>
		<description><![CDATA[U.S. Plans Lightning Strikes; Terrorism Alert Raised to ‘High.’ Our weekly compassionate listening circle takes in this small room, where I lie next to a young German man, holding his hand. He sobs and chatters through Holocaust guilt, his father&#8217;s &#8230; <a href="http://www.dsbones.com/2003/inexpiable">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><em>U.S. Plans Lightning Strikes;<br />
Terrorism Alert Raised to ‘High.’</em></p>
<p>Our weekly<br />
compassionate listening circle<br />
takes in this small room,<br />
where I lie next<br />
to a young German man,<br />
holding his hand.<br />
He sobs and chatters<br />
through Holocaust guilt,<br />
his father&#8217;s silence,<br />
and the sense that his people<br />
are flawed, cracked.<br />
He believes that evil<br />
may emerge at any time,<br />
sucking him into<br />
a violent darkness.</p>
<p>A son of the American South,<br />
I listen.</p>
<p><span id="more-19"></span><br />
This is a reposting, after I contacted the young man mentioned in the poem, now back in Germany.  I was concerned about confidentiality, but he assures me there is no problem.</p>
<p>Days into this awful war in Iraq, replete with the imagery of war horror, it is clearer than ever that war wounds last for generations.</p>
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